21 May In Honor of Notorious B.I.G
Pulling out some of my photos from the ’90s, from a time I am so blessed to have lived and worked in; a decade that gave us hip-hop’s golden era. I found the photos of BIG in this note, and reconnected to a time when hip-hop had purpose; had a sense of humor; had much more respect for its women (and indeed a chorus of female voices to boot); had a hunger for innovation that eclipsed its need for shine. Hip-hop’s commitment to being dope is what turned the spotlight on her in the first place. BIG represents that for me. An inrcedible lyricist and magnetic personality who could not be denied, who brought the shine to him.
He visited me with Cease at GAVIN four days before his last. Our interview didn’t feel like one at all. We all laughed as the two of them played the dozens over salmon croquettes, eggs, and yes-Welch’s grape. I ordered in because of the tension that BIG being in the San Francisco/Oakland Bay Area, Tupac’s first Cali home, meant back then. He had so much security; traveled in an unmarked van. So many times I think back on that day, wishing security had been as tight in LA as it was in the Bay. He loved the energy of the Bay, too, because the Bay was always more inclined toward hip-hop unity in diversity than its SoCal counterpart. When Ricky Leigh called me at 4am on March 9, 1997, none of the competition, none of the beef, none of the parties, none of the bullshit mattered. Hip-hop’s collective heart was broken for the second time in six months.
He rose from the table, grabbed his cane (he was recovering from a car accident), snapped some pictures with me, bear hugged me and went on to KMEL and WILD, where he gave the infamous final radio interview caught on video. We saw each other again at the album listening event held by BMG distribution. And listening to that album was like hearing greatness pour through speakers.
One thing I have yet to find is the “Life After Death” buyway he autographed for me at the BMG mixer. I remember what it said though: “To Thembisa, thank you for being different.”
Biggie, thank you for being you.
Karl Singleton Jr.
Posted at 06:19h, 16 AprilHello My name is Karl Singleton Jr. I manage an artist by the name of Jus Mic out of Cleveland, Ohio. Jus Mic won a trip to New York this past year through the New Music Seminar and we had the pleasure of meeting and spending some time talking to Tone Capone. Jus Mic will be relocating to the Vegas area at the end of April beginning of May. His advice was to get in contact with you guys ASAP. We feel it is time to make a move and hit the streets and get out of a stagnant market like Cleveland. I look forward to hearing from you.
Thanks,
Karl Singleton Jr.
http://www.myspace.com/goodshyt
http://www.jus-mic.blogspot.com
in**@go******.com
216-571-9270
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